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Valium for Breakfast
May 15, 2004
While Valium may be an effective band-aid, an emotional painkiller,
creative production contributes to the actual healing process. In
an era of political turmoil, personal grief, social chaos, poverty
and overwhelming debt, and spiritual crisis, art heals.

In my series, Surfaces I examine the societal
hunger for external perfection and the emptiness it reflects. Beauty
is a form of empowerment, yet our obsession to ‘feel better about ourselves’ could
be better channeled through Buddhist philosophies of compassion
and acceptance, or Christian principles of kindness and humility.
Vanity should be fun and creative, but our compulsive consumption
neglects the truth that all are equal and that it’s the inside
that counts. Despite the Botox, the sick Swan reality shows, and
the billion dollar diet industries, we are still overwhelmingly
fat and ugly, and worse, emotionally bankrupt. Appearances matter-
but far less than forgotten intimacies of accepting one another
as we are. Even Madonna concluded after decades of ego promotion
that compassion and acceptance are life sustaining. Inner versus
outer beauty is hardly an original frontier in philosophy, but
this age-old question merits continual expression. In Surfaces,
I examine carefully our obsessive consumption. The more we consume,
the emptier we are.





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Paradoxically, yoga and meditation teach us to become one with ourselves
and with the universe by emptying the mind. Spiritually, emptying
the mind and finding stillness can remove the hungers that drive
us and bring us closer to peace. Emptying ourselves of extraneous
chaos allows truth and authenticity to fill the holes. By reaching
into inner space, we connect to the universe. The Orbs series express
with a very soothing lack of complexity the serenity that can be
found. The Orbs represent the planets and examine our relationship
to the cosmic. They mimic the gentle, loving bubbling effect of
glimpsed paradise and cosmic unity. Yoga, Ecstasy, and indigenous
botanical mind expansion are all sociologically explained in religious
terms as the need of the soul to empty itself of self-absorbed ego
to connect with space and time.


In Life Imitating Art magazine, I described
my collages. “In
my art, I manipulate markers of cultural identity such as advertising,
celebrity, images, poetry, and art. By removing these tokens from
their context, I add, take away from, or alter their meanings. Only
by playing with different ideas can we be certain that we are thinking
for ourselves….Creativity means having a vivid, intense life,
and it is the birthright of everyone.”





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